Update on “the great newsletter experiment,” April 2025 edition

I’m still figuring out some features on my chosen newsletter platform, which functions more like a combination newsletter and blog for discovery purposes. Things remain bare bones for now, but I’m slowly getting used to how the platform works. At any rate, there’s content about my writing journey over there for those who care to read.

I also post occasional brief updates on Bluesky. You must log in to see them. I know, I know…the sheer inconvenience of someone wanting you to be on that platform to see their content. Patience, grasshopper. I have my reasons for putting a gatekeeper in place for the time being. And no, it’s not due to salacious content. Let’s clear that up right now.

Back to the newsletter thing.

A new post will appear over there later today, April 4, when the content sends itself through the system. It contains some story updates you won’t find here.

Hey, I warned you in an earlier post that this would happen. Don’t grumble at me because I followed through. 😉

I encourage you to hop over there and subscribe before I start posting updates that are viewable only by subscribers. There are things in the works that the general public won’t see.

On that note, it’s time for me to get back to my full-time job of editing. Deadlines can become harsh taskmasters if you don’t stay abreast of them.

The “great newsletter experiment” commences

Okay, so that title might be a bit tongue-in-cheek.

Why? Because I’m not sending newsletters at this time. It’s a deliberate choice.

I’ve had a newsletter provider for years, but I’m not happy with some of their practices. Other authors who also use them have problems, which makes me want to get away before I have similar issues when I’m ready to scale up.

So I’m testing a provider I’ve never used. We’ll see how it goes. Their platform is different, and they don’t offer a lot of design bells and whistles. That’s okay. For now, simpler is better. Once I get more familiar with how they do things, maybe it’ll become an issue. Or not.

image of a newsletter key on a keyboard replacing the Enter key

What you’ll (eventually) get from the new platform: Announcements and updates about my stories and author-related happenings.

What you won’t get: Anything to do with editing tips and tricks, general life updates, and the like. Those will stay here or on social media, respectively.

Yes, I’m playing the long game with newsletters. No, you don’t have to sign up right now. Or at all. But if you’re curious… Two sets of characters are getting mighty talkative, which means the word counts in two WIPs are climbing.

Yes, two. In unrelated genres and worlds, at that.

Was working on two books simultaneously planned? *snorts* Not in the least. I was happily working on one.

Characters, I tell ya. They’re responsible for that dustup. When they get going, I can’t keep up with filling out their incident reports.

Good thing they make it fun. 🙂

Reading Outside Your Genre(s): Why, or Why Not?

Whew, it’s been a minute. Holidays, work, getting the accounting stuff in order for tax season (yuck!), dealing with a loss, Zoom meetings, a milestone birthday…time flies when you’re inundated. However! That’s not the focus of what I want to share today.

Here’s what is.

A recent author group post led to a friendly exchange of comments about reading outside your preferred genre(s). Some choose not to unless it’s education specific to their craft and author business. I’m the opposite. Here are two reasons why.

Reading outside your genre(s) – author edition

“I’ll read anything if it interests me enough.”

That’s a comment I’ve made many times in my years. It means that despite having favorite genres, I’ll step outside them if a story catches my attention. Maybe you’ve said and done that too. Or perhaps you’re the opposite and want to know…

Why would I—or anyone else—do that?

The primary answers are straightforward.

One, a story’s title/cover/blurb engaged my attention and offered something I wanted at that time.

Said another way, my inner reader squealed, “Ooh, shiny! I want!” You probably know the next part of the drill… Bam! new story waiting in my Kindle or other reading apps.

Two, it’s exposure to other writing styles.

Each story you read, particularly in genres you’re less familiar with, offers an opportunity to study pacing, technique, descriptions, dialogue, story arc, and all the other craft details that make up a (hopefully) well-told tale. It’s another way to find takeaways that work for you and your stories. You’ll also learn what doesn’t resonate with your style (aka avoiding potentially costly writing mistakes).

Okay, I get that, but why wouldn’t you immerse yourself only in the genres you’re writing?

Good question. There’s nothing that says you can’t. Immersion is generally the best way to internalize everything you need to incorporate in your writing—tropes, character development, world-building, story and series arcs, plot drivers, and all the other nuts and bolts that form a well-crafted tale. Many authors spend a large percentage of their reading time in-genre for that reason.

The flip side of immersion is that it can potentially result in your focus becoming too narrow, and possibly stifling your creative ideas. Conversely, broadening your reading scope can help you think of fresh twists in your work.


Where do you land on the “only my preferred genre(s)” and “I’ll read anything” scale, and why?

Your answers might surprise you.


TL;DR: Reading outside your preferred genre(s), even infrequently, is an opportunity to A) satisfy your need as a reader, B) help you improve your craft by viewing the various story elements through a fresh set of eyes, and C) generate ideas for new twists in your tales. However, don’t count out immersion as a strong way to learn. Both ways offer value.