The “great newsletter experiment” commences

Okay, so that title might be a bit tongue-in-cheek.

Why? Because I’m not sending newsletters at this time. It’s a deliberate choice.

I’ve had a newsletter provider for years, but I’m not happy with some of their practices. Other authors who also use them have problems, which makes me want to get away before I have similar issues when I’m ready to scale up.

So I’m testing a provider I’ve never used. We’ll see how it goes. Their platform is different, and they don’t offer a lot of design bells and whistles. That’s okay. For now, simpler is better. Once I get more familiar with how they do things, maybe it’ll become an issue. Or not.

image of a newsletter key on a keyboard replacing the Enter key

What you’ll (eventually) get from the new platform: Announcements and updates about my stories and author-related happenings.

What you won’t get: Anything to do with editing tips and tricks, general life updates, and the like. Those will stay here or on social media, respectively.

Yes, I’m playing the long game with newsletters. No, you don’t have to sign up right now. Or at all. But if you’re curious… Two sets of characters are getting mighty talkative, which means the word counts in two WIPs are climbing.

Yes, two. In unrelated genres and worlds, at that.

Was working on two books simultaneously planned? *snorts* Not in the least. I was happily working on one.

Characters, I tell ya. They’re responsible for that dustup. When they get going, I can’t keep up with filling out their incident reports.

Good thing they make it fun. 🙂

*Drumroll, please* Announcing a new…

story in a flash fiction anthology!

Smokey Portents by Tracey Byrnes in the Bolts of Fiction flash fiction anthology

Yes, you read that correctly. Bolts of Fiction is a flash fiction anthology featuring seventy-seven never-before-published stories written to a series of prompts. This is a multi-author, multi-genre book. You can check out the prompts, process, and authors by visiting the publisher’s page.

I’m delighted that my story “Smoky Portents” was selected for inclusion. I’m even more excited that the release date is only days away—June 15, 2024, to be precise—although you can preorder it now.

For the curious, June 15 is National UK Flash Fiction Day. 😉

If you want to preorder Bolts of Fiction (or order it on/after release day) without going to the publisher’s site for more information, click here to go to your country’s Amazon store. For those who have trouble with that type of link, here’s the direct URL to it on Amazon (dot) com.

Happy reading!

Weasel words. They’re as sneaky as their animal counterparts…

and twice as hard to keep out of your manuscript.

What are weasel words, and why is being sneaky such a bad thing for them?

The simple answer is, they’re words and phrases we often use that aren’t necessary in most cases. In general, weasel words tick the following boxes, especially in a story’s narrative.

  • They do nothing to drive the story.
  • They’re overused.
  • They’re filler words that mean little to nothing in context.

They also creep into story dialogue, marketing copy, essays, white papers, and everyday speech without us realizing it—unless you’ve trained yourself to be aware of and eliminate them.

Sneaky.

How do you know whether you’re using—or worse, overusing—weasel words?

One thing you can do is run them as globals. It’s a great way to train your brain to recognize them as you’re editing or writing.

Wait, what are globals?

Globals, often called running globals, are a fast way to locate and change a word or phrase in your entire manuscript without having to read line by line. You might know it better as Find and Replace. You can also use this method to discover how many times you’ve used a word or phrase in your document.

To do this, use the Search bar in the left-side Navigation column. Type in the word or phrase you want to locate and tap Find. It will list the number of instances in the document. If the number is in the double digits above ten, consider weeding some out. If it’s in the triple digits, get viciously ruthless about cutting.

In the example screenshot below, I searched for “a little” in a partially edited manuscript and came up with ninety-six instances I still need to address.

Not shown in the image is the setting, which is on Ignore Case by default. This allows the search to use the broadest parameters when obtaining results. Think big picture and speed rather than fine detail for this step.

a screenshot showing how many instances of the weasel word phrase "a little" are in a manuscript

How much is too much? Also, what about weasel words in dialogue? Can’t characters say whatever they want?

The short answers: See above about quantities. Yes, it applies to dialogue. Yes, they can, but be judicious—unless you’re working with a character whose annoying trait is overusing a phrase. In which case, be prepared for readers and your editor to call you out on it.

Erm…how do I know which words and phrases are considered weasel words?

A few ways.

One, you can grab a copy of the file my editing team and I created and made available for the Editing Boot Camp session at 20Books Vegas 2022. There is zero cost except for your time and effort, and offers an Excel file you can download and add your phrases to.

Two, you can run SmartEdit (PC-only Word plugin), ProWritingAid (PC or Mac), or AutoCrit (web-based). All three are pay-to-use software. If you’re looking to level up your writing but want a format that provides reports you can act on, they’ll give you a solid base to work from.

Three, you can create your own list of weasel words. Pros: It’s tailored to you and includes your pet phrases. You can expand it to meet your needs. It’s free except for your time and effort. Cons: It’s time-consuming. It’s not comprehensive until you’ve put in a lot of effort and learned to identify all your overused words and phrases.

Okay. You entered a weasel word or phrase and have your list of search results. Now what?

I use a loose framework to judge what can stay or go on an instance-by-instance basis. It works like this.

Following this framework leaves enough instances to preserve speech patterns without going overboard. It also leads to cleaner prose, which translates to easier, more engaging reading.

The bottom line

Pro tip 1: If you’re paying an editor to clean up your work, eliminating weasel words before turning in your manuscript can save you money. This applies whether they charge per word or per hour.

Pro tip 2: If you’re bootstrapping, this is an effective way to learn one aspect of copy editing.

Pro tip 3: While geared more toward those writing stories, this technique also applies to marketing copy, essays, white papers, online articles, newsletters, and longer-form social media content.

Happy writing!

Love books? Want to meet authors?

promo image for RAVE 2023 - Readers & Authors Vegas Event

Then you’ll be stoked to hear about all the fun happening at RAVE—Readers & Authors Vegas Event.

What: Book sale and signing event

Where: Horseshoe Convention Center, Las Vegas

When: November 10, 2023

Time: 10:00 AM – 4:00 PM

Cost of Entry: FREE!

Three hundred authors across a broad array of genres will be there with books available for purchase and signing. In addition, there will be raffles and giveaways, photo opportunities, live readings in partnership with the uber-talented Soundbooth Theater team, and more fun happenings throughout the day.

For more information, please join the Readers & Authors Vegas Event Facebook group.

Want to know if your favorite author(s) will be there? Check this graphic.

graphic list of attending and signing at RAVE 2023 - Readers & Authors Vegas Event

Hot off the presses, here’s the list of live readings on tap.

graphic list of live readings at RAVE—Readers & Authors Vegas Event in partnership with Soundbooth Theater

Some FAQs about RAVE—Readers & Authors Vegas Event

Which authors are attending?

See the graphic list of attending authors above.

Can I bring my own books to be signed?

Absolutely!

Will personalization be possible, or are all books pre-signed?

Yes, books can be personalized.

Will I be able to buy books at the event?

Yes, the authors will have books for sale too. But of course, they can’t bring an unlimited supply, so if there is a particular book you would like, perhaps contact the author in advance to order it.

Can I take photos/get a selfie with the author?

Mostly yes, but keep in mind it is up to each author to decide what they are comfortable with.

How much will books cost?

Each author sets their own prices and some will have special show prices. Contact your author to see if they will be running specials. All sales will be subject to Nevada sales tax.

Is there parking available nearby?

There is parking at the hotel (the parking garage is between Horseshoe and Paris hotels). Self-parking is free for anyone with a Caesars Rewards card at the Platinum, Diamond, or Seven Stars level. For those of us not a member, self-parking is $15 for three hours or you can expect to pay $18 at the daily rate. Additional information and directions to access the parking garages can be found here https://gamboool.com/ballys-las-vegas-parking-garage…

Will there be food available at the event?

Food is not permitted within Horseshoe’s Convention Center where the event is being held, but the hotel’s food court is at the entrance to the convention center if you’d like to grab a quick bite before or after the book signing event. Horseshoe is centrally located on the Strip and among some of the best restaurants in the world, so good food is close by.

I’m an author—how do I sign up to participate?

All authors attending are also registered attendees of the 20Books Vegas Author Conference (a 20Booksto50k® education and networking event). You can learn more about the event and register for the conference here https://20booksvegas.com/

Note: Per the event organizer, all RAVE table spots are full.

Do I have to wear a mask?

The event will follow all public safety requirements effective in Nevada in November 2023 and in accordance with the Caesars Group policies. At present, this includes no mask mandate, but attendees are encouraged to follow protocols that are safe for them.

Wait… What? It’s mid-September already?

image of fall leaves surrounding Welcome September text

I swear it was the beginning of the year only a few months ago…

Guess that’s what happens when you’re a few <mumble, mumble> okay, fine, a few million-plus edited words into the year. Not counting your personal projects.

And that’s at a much slower pace than last year.

Yes, you read that last sentence right.

Ms. Nose to the Grindstone is attempting to balance work life and personal life. I say “attempting” because so far this year, I’ve managed to be either all on or all off. That’s not ideal for me, although I got some much-needed downtime. On the bright side, I’m not putting in 120-plus-hour weeks every week these days. In addition, I’m working on backend methods and processes to prevent that from reoccurring.

I’ve also been largely quiet on social media as part of regaining time and attention for myself. Although I admit I’m not a fan of trying to clear all my notifications after I’ve been offline for a couple of days. <grimaces>

What’s next in the balancing act?

Looking ahead to the rest of the year, I have some exciting things scheduled. A couple of trips that combine work and fun, including going to 20Books Vegas.

I’ve continued the editing boot camp sessions I started with my coeditors last year. Working one-on-one with some of my in-house authors has been a joy. Seeing their eyes light up when something clicks for them is one of the best rewards. Having it translate to cleaner manuscripts makes my entire editing team happy. It’s a big win for everyone!

Speaking of sharing tips with authors

One of the biggest author communities to learn from is 20Booksto50k®. If you haven’t been to one of the Las Vegas conferences, joined the Facebook group, or watched the videos made available on YouTube, you’re missing out on some great information. Craft, ads, marketing, the best distribution strategies for your goals…fellow authors touch on all of it by sharing things they’ve learned in their publishing journeys. There’s something for everyone whether you’re a beginner or a six-figure author trying to hit the seven-figure ranks.

While I don’t have a formal editing presentation scheduled at the 20Books Vegas conference this year, I plan to share editing tips and tricks with attendees via an informal meetup or three. These will be for individuals and/or small groups since the focus is on reviewing part of each author’s WIP and identifying areas where they can improve their prose.

Regaining the creative spark

I’m enjoying being able to grab some free minutes to write again. Better still, I’m not so exhausted that my creativity has flatlined. A hard lesson learned is that your creativity suffers when you don’t nourish it by giving yourself some downtime. The effects might not show up right away, but they’re cumulative—and can be devastating when they hit en masse. I’m not where I used to be with a torrent of words spilling into my WIP (work in progress) or running amok in my head, but the spark is in recovery. After not feeling it for so long, it’s a blessed relief.

On that note, it’s time for me to get back to doing what I do best—wrangling words and polishing stories so they do their authors proud. Without courting burnout from forgetting my lessons learned.

Take care of yourself, wherever you are in the world.

2022 in review—the view from the catbird’s seat

Whew, 2022 was quite a year. I didn’t think twelve months could pass in such a blur. Guess that’s what happens when life throws curveballs…

I still miss Judah. She was a friend, a “found” family member, a fellow editor, and a cornerstone on my editing team. Losing her to health complications back at the beginning of April was a huge blow. In true Judah fashion, I felt more than one ghostly thwap! during the rest of the year when I needed a reminder to “Keep $#!*^# going.” <laughs> I wasn’t the only one who received them, either.

I also miss Micky. She was another friend and team member taken far too soon. Losing her this past fall was another major loss. While not an editor, Micky’s contributions to my team and the indie author community in general were far greater than she ever realized or would take credit for. If you went to any 20Booksto50k® conferences prior to 20Books Vegas 2022, you probably saw her at the registration check-in table.

Godspeed, ladies—gone but never forgotten.

Celebrating the wins

Amid the sadness were victories. Some were small. Some were large. I celebrated all of them, no matter how exhausted I was from keeping my nose to the grindstone. Working a hundred and twenty-plus hours per week, exhaustion was a constant. I don’t recommend it, but as the old saying goes, “Needs must when the devil drives.” It made the victories that much sweeter.

I’m happy that several projects I initiated are bearing fruit, thanks to my fantastic team getting behind them from the get-go and working with me to launch them. It takes a village to do what we do, not least because things move quickly at high volume and we insist on high quality standards. Sharing our best practices for working smarter contributes to this.

Looking ahead

We’re eight days into the new year as I write this post, and I see a lot of big things ahead. Some are personal goals. Others are company goals. A few are lofty…very lofty. All are attainable, although the timeframes and paths to reach them are fluid. There’s more than one way up the mountain.

Here’s to 2023 and to conquering its challenges and celebrating its victories. On that note, I’m off to continue enjoying the first real break I’ve had in over a year. I’m calling that a major win!

snowflake close-up

Simple fixes for common editing mistakes

You’ve written a book. Or an article, a blog post, or another version of prose content. You’ve tweaked it until your eyes crossed and sent it for feedback, confident it conveys your story or message.

Except…you still see those pesky grammar and spelling error indicators in your digital document, and your review team is leaving notes that say, “run global edits.”

We’ve all been there. Many people say this is their least favorite part of the creation process. However, you can use some simple tricks to streamline the revision slog, polish your copy—and not lose your sanity while doing it.

Globals, or global corrections

Also called global edits, “running globals” is the fast way to find and replace multiple instances of commonly misspelled, misused, or unnecessary words and phrases.

It applies to most forms of writing and is particularly handy for book manuscripts and other long-form content. You can also have content- or author-specific globals, but as the terms imply, they’re more focused than the ones covered here.

blank Find and Replace screenshot

Note: this technique assumes that your software has a Find and Replace or Advanced Find and Replace feature. Microsoft Word, OpenOffice, LibreOffice, and most other office suite products do. TextEdit, Notes, blog platforms, and specialty writing programs might not.

Ready? Let’s dive into some of the most common mistakes and how to change them in only a few clicks.

Editing Replacements and Corrections

Errors to replace globally

FindReplace
forwardsforward
towardstoward
backwardsbackward
onwardsonward
upwardsupward
looked tolooked at
looked over tolooked at
looked to beappeared to be
replied backreplied
smiled tosmiled at
smiled to himself/herselfsmiled
alright
(NOT A WORD!)
all right
(Match Case, often at the beginning of a sentence but not always)
fell/knelt/squatted/crouched downfell/knelt/squatted/crouched
nodded his/her headnodded
waved his/her handswaved
folded/crossed his arms over his chest
(or her arms)
folded/crossed his arms
(or her arms)
Double space (hit the space bar twice)Single space (hit the space bar once)
^t (tab)Blank (don’t put anything in)
^l (soft return)^p (paragraph break)
^p^p then try ^p ^p (with a space between)^p

Go through these with a Find Next and Replace if needed (occasionally, it’s correct as it stands)

FindReplace
wrapped upwrapped
opened upopened
turned/spun/whirled aroundturned/spun/whirled
it’sits (situationally)
called outcalled, unless “I feel called out” or something similar
stood upstood, unless “stood up to bullies” or something similar
stand upstand (see qualifier for “stood”)
.” H or .” S or .” T,” h or s or t
(use Match Case) (happens in dialogue tags)
!” H or S or T!” h or s or t
(use Match Case) (occurs in dialogue tags)
,”.”
E.g., “Blah blah blah,” he smiled s/b “Blah blah blah.” He smiled.
Make sure you’re using a dialogue verb (smirked and sighed are not)
Ellipses have no space after unless it starts a new sentence.

Globals in action

Now that we have the lists, here’s an example of a global find and replace in action. In this instance, the search phrase “nodded his head” pulled up four matches. Since this is an automatic correction rather than situational, typing “nodded” in the Replace bar and tapping “Replace All” will fix all four instances with one click.

screenshot of a global Find and Replace example
Example: global “Find and Replace All”

If you need to Match Case, the gear icon next to “Find” gives you that option, plus other advanced features.

(Note: screenshots reflect the layout in Word for Mac, Office 365. The PC interface for Word, Office 365 is a popup window under Advanced Find and Replace with separate tabs for “Find” and “Replace.”)

Next is a situational global (Find Next and Replace) for “it’s.” If you need to fix any instances, enter the correct spelling into the Replace bar and tap “Replace” instead of “Replace All.” Then tap “Find” (or “Find Next”) to advance to the next match.

You can also search for “its” (no apostrophe) to locate where you might need “it’s” instead.

screenshot of a situational global find and replace next
Example: global “Find Next and Replace”
(single replacement)

This feature is also great when you have a name that ends in “s” and needs to be possessive, and you (or your dictation software) keep inserting “s’s” instead of “s’.” Or you can’t remember whether you spelled someone’s name as “Steven” or “Stephen” and used both for the same person.

(Hey, Maurius’ dog might have a grudge against next-door neighbor Steven, but let’s not confuse him with Stephen from the next block over. That could get insulting.)

Additional things you can look for and fix

  • starting sentences with “And” or “But”
  • using “really” or “just” (they’re filler words, and weak)
  • “very” (anything) – “very” is a weak modifier (E.g., “very happy” could be better worded as “delighted” or “ecstatic”)
  • “actually,” “absolutely,” and “obviously” are usually unnecessary
  • no space between an em dash and the word on either side, or between an em dash and quotation marks
  • double dashes are not the same as em dashes

There you have it: faster ways to make a lot of standard revisions. While not comprehensive—most editors have a mental checklist several pages long, as do I—using these handy corrections will help your copy shine. Incidentally, they’ll also help you become a better first draft writer.

Now that’s what I call a win-win situation.

Happy writing!

Blog platforms—which do I use?

notebooks, coffee, and tablet on a table

Howdy! A few people recently asked which blog platform I use and how I got this layout. I could say it’s magic, but truthfully, it’s not. 😉

This is a WordPress blog since that’s the framework my site is built on. Nor is it a custom design, although I did tweak a few of the settings options in my theme and page layouts.

That brings up the inevitable next question of “Why WordPress? And why go with an existing theme rather than creating a custom one?”

Those answers are simple as well. I use WordPress because I’m familiar with it and like the different things I can do within its framework. My site and blog needs are minimal, so I went the DIY route and used available assets to achieve the layout and effects I wanted. It was a little more time-intensive initially, but more cost-effective over the short- and long-term. Certainly a better return on time and cost than if I’d tried to build a similar one from scratch, or hired someone to build it for me. That’s my situation. Your mileage may vary.

Note: I’m not a web designer or programmer by trade. I understand a lot of how to get from that side of things to the end-user side thanks to my previous career. However, don’t ask me to do anything beyond some basics when it comes to coding. That’s not my cuppa, and not how my brain is wired. 😉

Another person mentioned Drupal, wondering if it was a better choice for building a unique blog layout.

The short answer is, it depends on you as the end-user.

Drupal is another solid content management framework and is used to build many websites and blogs. I’m less familiar with it on the end-user side since none of my former clients had websites based on it. However, it’s been around for years and is the top choice for many devs. Some people I’ve talked with prefer it, on personal and professional fronts.

As with all systems, there are pros and cons no matter which you choose. WordPress, Drupal, Joomla, and others all have some great features. Some have steeper learning curves than their brethren. The requirements I specified from the outset—existing familiarity to minimize time sinks, ease of installing and adapting themes, page blocks for layout customization, and several other features—might not be an issue for you.

Bottom line:

When it comes to your website and blog, a balance between your desired look and ease of use/maintenance is usually the path most traveled. It should reflect your business or brand, but also be easy for you to use. Otherwise, it’s a time and energy sink, and possibly a financial one as well.

Reading Outside Your Genre(s): Why, or Why Not?

Whew, it’s been a minute. Holidays, work, getting the accounting stuff in order for tax season (yuck!), dealing with a loss, Zoom meetings, a milestone birthday…time flies when you’re inundated. However! That’s not the focus of what I want to share today.

Here’s what is.

A recent author group post led to a friendly exchange of comments about reading outside your preferred genre(s). Some choose not to unless it’s education specific to their craft and author business. I’m the opposite. Here are two reasons why.

Reading outside your genre(s) – author edition

“I’ll read anything if it interests me enough.”

That’s a comment I’ve made many times in my years. It means that despite having favorite genres, I’ll step outside them if a story catches my attention. Maybe you’ve said and done that too. Or perhaps you’re the opposite and want to know…

Why would I—or anyone else—do that?

The primary answers are straightforward.

One, a story’s title/cover/blurb engaged my attention and offered something I wanted at that time.

Said another way, my inner reader squealed, “Ooh, shiny! I want!” You probably know the next part of the drill… Bam! new story waiting in my Kindle or other reading apps.

Two, it’s exposure to other writing styles.

Each story you read, particularly in genres you’re less familiar with, offers an opportunity to study pacing, technique, descriptions, dialogue, story arc, and all the other craft details that make up a (hopefully) well-told tale. It’s another way to find takeaways that work for you and your stories. You’ll also learn what doesn’t resonate with your style (aka avoiding potentially costly writing mistakes).

Okay, I get that, but why wouldn’t you immerse yourself only in the genres you’re writing?

Good question. There’s nothing that says you can’t. Immersion is generally the best way to internalize everything you need to incorporate in your writing—tropes, character development, world-building, story and series arcs, plot drivers, and all the other nuts and bolts that form a well-crafted tale. Many authors spend a large percentage of their reading time in-genre for that reason.

The flip side of immersion is that it can potentially result in your focus becoming too narrow, and possibly stifling your creative ideas. Conversely, broadening your reading scope can help you think of fresh twists in your work.


Where do you land on the “only my preferred genre(s)” and “I’ll read anything” scale, and why?

Your answers might surprise you.


TL;DR: Reading outside your preferred genre(s), even infrequently, is an opportunity to A) satisfy your need as a reader, B) help you improve your craft by viewing the various story elements through a fresh set of eyes, and C) generate ideas for new twists in your tales. However, don’t count out immersion as a strong way to learn. Both ways offer value.